Friday, December 21, 2012

Leon Tchaikovsky's POLICE STATED (free sample)


FADE IN.

INT. YOU’RE NO GENTLEMAN’S CLUB  MAIN ROOM - NIGHT

HARVEY WHITE, dressed in a police lieutenant’s dress uniform, and STEViE GREY, dressed in a female police detective’s uniform, walk with determination across the strip club towards a door listed as “MANAGER”. Harvey wears a pig’s head mask. Stevie wears a goat’s head mask. Both uniform pants cover halfway down the shoes.

Harvey and Stevie front of empty chairs.

Harvey and Stevie walk past a stage showing BUTTSY ROSS, a full dressed overweight senior citizen dancing provocatively fully dressed in a mink coat.

Numerous YOUNG MEN cheer and applaud while watching Buttsy. Each man holds an umbrella over his head.

Harvey opens the manager’s office door.

INT, MANAGER’S OFFICE - CONTINUOUS

Harvey and StevIe enter the room and closes the door behind him. Harvey and StevIe are expressionlessly serious looking. Harvey and StevIe removed their masks.

The room has heavy metal music playing.

RONALD SAUNDERS, wearing a Police Inspector’s regular uniform, sharply rises from behind his desk.

RONALD
Lieutenant Harvey White, Detective Steve Grey, where are your umbrellas?

Harvey and Steve pull pistols from their holster and point them at Ronald.

HARVEY
I was issued this instead,

Ronald collapses into his chair defeated.

RONALD
So it has come to this?

HARVEY
To think we used to be partners.

STEVIE
We were in Internal Affairs together.

RONALD
Before you do this, one favor. Why?

HARVEY
To end this corruption.

RONALD
But don’t you see, after we drove out the Mob, the police took over.

STEVIE
I was there. Internal Affairs rooted out all the corrupt cops.


RONALD
Someone had to take over then. Who best but Internal Affairs?

HARVEY
One does not kill evil by becoming evil.

RONALD
Tell me, who are you working for? I just want to know who is next.

HARVEY
I’d tell you, but then I’d have to kill you.
(laughs)
Of course, that won’t make any difference.

RONALD
If you wont grant me that favor, then let me grant us all this favor.

Ronald opens a desk drawer. Ronald removes the pistol by pointing it at his head at all times.

RONALD (cont’d)
There will be far less paperwork this way.

Ronald pulls the trigger. He slumps over dead.

Harvey and StevIe put their masks back onto their heads and put away their pistols..

Several strippers open the door and run into the room. They stop when they see Ronald is dead. They are horrified.

Harvey turns to the strippers and walks towards the door.

STEVIE
I believe he was depressed his wife was cheating on him.

Harvey and Steve walk through the door.

SYLVIA SAUNDERS, a young naked stripped, loudly sobs.

SYLVIA
I was his wife.

Sylvia turns to ANDREA ITERELLO, a naked stripper, and  angrily  slaps her face.

SYLVIA
Who did you tell?

INT. YOU’RE NO GENTLEMAN’S CLUB MAIN ROOM - CONTINUOUS

People mob in look inside the manager’s office door.

Harvey and StevIe walk partially across the room. Harvey and Stevie each spot a discarded umbrella. Harvey and Stevie pick up an umbrella and open it. Harvey and Stevie carry their umbrellas over their heads. Harvey and Stevie walk towards the exit.

EXT. SHADY PONDS CEMETERY - AFTERNOON

It is raining hard,

POLICE OFFICERS and CIVILIANS are scattering away from  a casket in a fresh grave. No one has an umbrella.

BAGPIPERS mournfully play a college football fight song.

The headstone reads ‘RONALD SAUNDERS. He was a good egg”

Police Commissioner ERIN MATTO hurries to catch up to Harvey and StevIe. Both Harvey and Stevie appear about two inches shorter.

STEVIE
Commissioner.

HARVEY
Erin.


Erin speaks quietly in a near whisper.

ERIN

We must be cautious. We never know who is listening.

HARVEY
Nor how.

ERIN
We suspect there is more to Ron’s death.

STEVIE
There always is.

ERIN
Someone is muscling in. We think it may be internal.

HARVEY
An Internal Affairs within Internal Affairs?.

ERIN
We think so. They know they can’t get us legitimately.

STEVE
Because we control the judges and the press.

HARVEY
Quiet, StevIe. You never know who is listening.

STEVIE
Or how.

ERIN
The only way they can get to us is through direct action.

STEVE
So we need to get to them through direct action beforehand.

ERIN
Exactly. May I trust you two to handle such actions?

STEVIE
Absolutely, boss.

ERIN
The problem is, we don’t know who this involves.

HARVEY
I know where I can get some leads..

ERIN
Great. I knew I could count on you two.

Erin walks away.

Harvey and SteVIe watch Erin fade back into the crowd.

STEVE
How is that for irony?

A lighting bolt shoots from the sky and hits the casket.

Erin is startled. She looks towards that casket.

ERIN
If he rises out of there in three days, I’m shitting my pants.

INT. LUXURY CASINO SLOTS ROOM- NIGHT

The casino walls slope upwards and inwards at an angle.

A children’s choir sings religious songs onstage.

Harvey, dressed in his police uniform and wearing a pig’s mask enters the room.

StevIe, dressed in his police uniform and wearing a goat’s mask, enters with Harvey. Stevie carries a bag.

BRUCE ARNOLDS emerges from the Manager’s office. Bruce walks up to Harvey and StevIe smiling.

BRUCE
What have we here, Halloweem?

HARVEY
Trick or treat.

BRUCE
For fine officers in uniform, all the free drinks you want.

Bruce laughs.

HARVEY
No alcohol. We prefer candy.

BRUCE
Sorry, no treats then. So, I’ll take the trick.

HARVEY
We have a good one.

STEVIE
Guaranteed to bring in lots of publicity.

BRUCE
If its that good, I’ll book you.

HARVEY
We’re more of a single night appearance.

Harvey and Stevie grab Bruce. Harvey and Stevie shove Bruce towards a roulette table.

BRUCE
Hey, what’re ya doing?

STEVIE
Something with a happy ending.

Stevie pulls out rope from a bag. Stevie ties Bruce to the roulette wheel.

BRUCE
I kinda like this so far.

Stevie spins the roulette wheel.

SEVERAL PEOPLE crowd around to watch,

BRUCE
WOAH!

STEVIE
Time for magic.

Stevie removes three long knives from a bag.

Stevie throws the first knife. It hits just above Bruce’s head.

The people in the crowd clap.

Stevie throws the second knife. It hits just below Bruce’s crotch.

The people in the crowd off and ahh and clap.

Stevie throws the third knife. It sinks into Bruce’s heart. Bruce slumps over dead.

The crowd is in shocked silence.

Harvey and Stevie turn and calmly walk towards the exit.

BEVERLY WINBAG, a middle age woman wearing loud clothes examines Bruce’s body upclose.

BEVERLY
I don’t get it. Where is the magic?


INT. HARVEY AND STEVIE’S POLICE CAR - LATER

Stevie drives. Stevie and Harvey stare straight ahead motionless.

A children’s song plays from the car radio.

STEVIE
These killings....

There is a pause for several seconds.

HARVEY
Yes?

There is a pause for several seconds.

STEVIE
I am having certain feelings about what them.

HARVEY
I understand.

There is a pause for several seconds.

HARVEY (cont’d)
I have a similar reaction.

STEVIE
Then we know what we must do.

There is a shorter pause.

HARVEY
Yes.

EXT. RURAL DIRT ROAD- NIGHT

Stevie pulls the cars off the road into a secluded wooded area.

Stevie pulls out her pistol and places it into Harvey’s mouth.

Harvey pulls out his pistol and places it into Stevie’s mouth.

With their free hands, Harvey and Stevie hurriedly unbutton their shirts. They both moan and grunt sensually. They toss their shirts aside.

The seats recline as Harvey and Stevie embrace.

EXT. CAROUSEL AT BURGER KNIGHT’S PLAY AREA - DAY

Harvey and Stevie sit onto a four seated coach on a carousel.

Police Inspector IDA LIVERSTIN, wearing a Police Inspector’s uniform, and hat is already sitting in the coach.

The carousel begins to spin. Carousel music plays.

IDA
Word is someone in IA suspects the hits are internal.

STEVIE
How do they know?

IDA
We don’t know.

HARVEY
I’m not worried a bit.

IDA
You should be. Word is they’ve sent two people to deal with you directly.

STEVIE
Who are they sending?

IDA
Don’t know. I did some profile work.

Ida hands a manilla envelope to Harvey.

IDA
These are the two I would pick.

Harvey looks inside the envelope.

HARVEY
I would pick them as well.

IDA
Get them before they get you.

Harvey and Stevie jump off the carousel.

Ida steps off the carousel. She then mounts a horse that rides up and down.

Ida removes her hat and waves it around as a cowboy would.





Sunday, December 9, 2012

Immorality, Extinction



The screen reads “It is 50 years from today. Welcome to a preview of our greatest future crisis.”

President ANN HAMMOND, CIA Director JUDY MORGAN, and Yale University Professor IRIS  LAMONT, walk through a door into a lab filled from floor to ceiling of cages of rats. Professor Lamont locks the door.

ANN
Professor Tuffold, what is so important that the
CIA Director has brought me to your lab lab, with no
explanation.

JUDY
We had to take every precaution that this be kept
from the public and our enemies.

IRIS
President Hammond, or may I call you Ann...

ANN
It’s President Hammond.

IRIS
Right, Madame President, what you see before
is a room full of thousands of rats.

ANN
I am aware...Iris...as I have given tacit approval of
this research.

IRIS
These rats have been genetically engineered. They
exhibit no signs of aging in any body part and they
are have no negative reactions to expose to any
virus or germ.

ANN
I already know this. Tell me what I need to know.

IRIS
Last month, we identified the deadliest flu ever,
90 percent mortality rate. Fortunately, we developed
a vaccine. Laboratories should produce enough to
save most of the world.

ANN
Again, I know this.

IRIS
What you do not know is that we tested the rats.
Their genetic strength makes them immune to
this flu and we are certain they are immune to
any future form of any disease virus or germ.

ANN
Congratulatins, Professor Lamont, you have made
New Haven the site of the largest collection of
immortal rats.

IRIS
The reason you are here, Madame President, is
I require your permission to proceed with human
testing of creating immortality.

ANN
Absolutely not. I have made my position clear. It
would be foolhardy to create immortal people.
If we succeeded, billions would demand to be
made immortal.

JUDY
What would be wrong with that? Don’t you ever
wish you had the change to live forever?

ANN
Director Morgan, the policy implications alone would
create unimaginable consequences. Earth is also
overpopulated.

JUDY
We could offer sterilization in exchange for
immortality.

ANN

We would be choosing our lives over the lives
of future generations.

JUDY
There still would future generations. We just would
need a lover birthrate to replace those dying from
physical injuries.

ANN
We would be asking people to give up the most
precious part of life, which is creating new life,
holding a baby, watching your child grow up.

JUDY
So, our priorities in life would change...

ANN
This is not about priorities in life. It is not our
right to play God, or in this cause, remove
God from the equation.

IRIS
Who is to say what God wants, if God exists.
God has not told us what to do here. God gave
us the ability to figure out how to make ourselves
immortal. This is our destiny.

ANN
No, this is immoral, and inviting catastrophe on
a scale you can’t imagine.

JUDY
Or, it puts us in a powerful position. Granted, we
would share immortality with other nations, yet
this would be the ultimate bargaining chip.

ANN
This could be the ultimate precursor to world war.

JUDY
I vehemently disagree. This could what unite humanity
into lasting peace.

ANN
If we let this happen, we would be the greatest mass
murderers of future generations of people who will
never have the chance to exist.

IRIS
If we do this, we would be the greatest medical
healers in history.

ANN
You are wasting your time. I will not approve of
human testing, and I will devote ever fiber of my
being to seeing that human testing is never done.

JUDY
We’re not asking your permission.

Iris pushes a button.

BELINDA, TYRONE, JAVIAR, ALI, and ALFONSO enter. Each wears a military uniform.

IRIS
This is why we brought you here. We have already
done human testing.

JUDY
It was in the Agency budget you approved.

IRIS
I am glad to announce that human testing works.
You are looking at the first five immortals.

JUDY
After we received these results, we were so
confidant about the results we engaged over
sixty thousand military personnel for further
research. They are not aware what the tests
were for, yet we have confirmed that all
sixty thousand are now immortal.

ANN
You are both mad!

IRIS
No, we are visionaries.

ANN
You are creating an immortal military.

JUDY
No, military personnel are in our employ an easier
to get to volunteers.

ANN
To our enemies, it will look like an immortal
military, and it heightens the risk of retaliation.
They may be immortal from disease and aging,
but not from bullets and bombs.

IRIS
The politics of the situation, that is for you to decide.


I am here simply to tell you that the science end is
successful.

ANN
I will put an end to any further human testing.

IRIS
It is too late. Word will soon be out that there are
thousands of immortals, and soon we will be
overwhelmed with demands for immortality.

JUDY
This is necessary. We got ahead of a mutated flu
virus this time. With each mutation the virus gets
stronger.

ANN
With time, we have always developed greater
knowledge on how to prevent an epidemic.

IRIS
Yes, but what if we, hust one time, fail. The mutations
are coming more quickly, and are becoming stronger,
and our ability to kill these viruses are becoming
more challenged, Our species could face extinction
The choice is yours, Ann.





















Wendy Never Grows Up











LEON TCHAIKOVSKY’S
WENDY NEVER GROWS UP
by
Leon Tchaikovsky FADE IN
INT. THE SMITH FAMILY LIVING ROOM - DAY
The Smith house is an upper middle class house.
SHELLEY SMITH, 49 years old, dresses well even casually at home.
DAVID SMITH, 28 year old son of Shelley, dresses in nice
clothing that is a size of two too big for him.
shelley
You should be glad your mother found you a nice Jewish woman to take to the Beverly Hills Society Women’s Club Lunch.
DAVID
Mom, I am 28. Of all the women you’ve found for me, how much have worked out into a second date?
SHELLEY
None, but you’re too picky.
  DAVID
Yes, I have high standards. I want them to be at least somewhat sane.
SHELLEY
None of the women you’ve brought back have ever worked out.
DAVID
(under his breath to himself)
That’s because they meet you.
SHELLEY
All my friends will be glad to see with a date. They talk, you know.
DAVID
Half you friend’s children are gay.
SHELLEY
That’s not what they’re saying about you. At least their kids show up with someone.
DAVID
So who is this woman you’ve found?
SHELLEY
Her name is Wendy Lieberman.
DAVID
What does she do for a living?
SHELLEY
Nothing. She lives off her parent’s wealth. Something you won’t ever have to do because we’re not wealthy.
DAVID
What do her parents do?
SHELLEY
When you’re wealthy, you don’t ask where they got their money. It’s not polite. Her father was in politics, he used to be a Senator.
DAVID
Her father is Joseph Lieberman?
SHELLEY
No, his name is Daniel Lieberman. He was a State Senator in Nevada.
DAVID
Why do I have to go to a women’s club lunch, anyway?
SHELLEY
You know what the mission of the club is. To show off our children and then gossip about them afterwards.
DAVID
Just tell them I’m wanted in six states for running a Ponzi scheme.
SHELLEY
I could only wish that were true.
DAVID
Why do I have to be stuck in a room full of women?
SHELLEY
You should be so lucky.
DAVID
They’re all old women.
SHELLEY
They’re my age.
DAVID
Like I said, they’re all old.
SHELLEY
Let’s go. I don’t want to be late for the pre-lunch open bar. That’s where you get the best gossip.
DAVID
OK.
SHELLEY
You’ll like Wendy. She’s a nice Jewish girl.
DAVID
So what? We’re not Jewish.
SHELLEY
Believe me, you don’t want one from our faith. Even a mother hopes her son has sex more than twice in his lifetime.
EXT. CLUB PARKING LOT - MORNING
A car with a front, back, and doors for different make and color cars pulls into a row of expensive cars. The car slows down and inches forward.
WENDY LIEBERMAN, a 39 year old Asian woman wearing a tight low cut blouse, a tight mini skirt, and Stilletto shoes jumps out of the passenger side. She runs to the front of the car and stops it from rolling with her hands.
INT. CLUB - SOON AFTERWARDS
David, Shelley, and a CROWD of mostly well dressed women in their forties and fifties and gay couples of both sexes in the twenties stand around holding glasses.
Wendy enters the room
SHELLEY
There she is. That’s Wendy.
DAVID
Mom, I think you finally picked a good one.
SHELLEY
Just remember two things. One, be a gentleman. Two, she’s rich.
David walks over to Wendy.
DAVID
Hi, I am David Smith. I believe I am your date for this party.
WENDY
Nice to meet you. I told you mother I would be your beard for today.
DAVID
Beard? Oh, no, I’m not gay.
WENDY
That’s not the word around here.
DAVID
Well, I assure you, I am straight.
WENDY
Have you ever had a girlfriend?
DAVID
Well, not really.
WENDY
And you’re how old?
DAVID
Twenty eight. But I was busy, with college, then graduate school, and then writing my book research into praying mantis migrations.
WENDY
Is it true that female bites the head off the male during sex?
DAVID
Yes.
WENDY
I can relate. So, I hear you’re not Jewish?
DAVID
That’s right.
WENDY
Play your cards right, and I can be your praying mantis and show you how a moyel makes a guy Jewish.
DAVID
Soooo, have you had many boyfriends?
WENDY
No long term relationships.
DAVID
So, am I your beard?
WENDY
Oh, no, I like guys. They seem to be a problem understanding me.
DAVID
I can’t imagine that.
WENDY
I’m a free spirit. I do whatever I want, whenever I want.
Wendy tugs downwards at her underpants through her skirt.
Wendy speaks loudly so all in the room can hear.
WENDY
In fact, my panties are a bit too tight. I’m going to take them off.
Wendy slides her panties down her legs and steps out of them.
Wendy holds her panties towards David.
WENDY
Would you like them?
DAVID
Ah, no, you keep them. You might want them later on.
Wendy puts the panties in her purse.
Wendy sits on a chair facing the people in the room.
WENDY
This is one of my favorite games. I call it watch the men makes fools of themselves.
Wendy slowly and carefully crosses her legs. She slowly and carefully uncrosses her legs.
Almost all the men watch her movements carefully. Most try and tilt their heads so who they are with may not notice.
DAVID
I’ve heard of this trick. You’ve got a second pair of panties on.
WENDY
No, I don’t. But I’ll try that sometime, and really frustrate them.
A WOMAN throws her drink into the face of one of the leering MALE men.
A stereotypical gay MALE slaps the face of his leering stereotypical gay MALE friend.
DAVID
I was told you were a nice Jewish woman.
WENDY
I am.
DAVID
Funny, you don’t look it.
WENDY
I was adopted by Jewish parents.
DAVID
I meant you don’t look “nice.”
EXT. CLUB - SOON AFTERWARDS
David, in a huff, walks towards his car. He stops and observes a fountain with a sign reading “Donated by Wendy Lieberman.” He continues walking and stops to look at a statue with a plaque reading “Donated by Wendy Lieberman”. He continues walking and stops to look at a piece of art in the shape of dog poop. Next to this art work is a sign reading “This bronzed poop donated by Wendy Lieberman.”
Wendy chases after David.
WENDY
Wait!
DAVID
Why should I? At least you only embarrassed yourself.
WENDY
I like attention, what can I say?
DAVID
So what does it get you?
WENDY
Do you know how many guys are going to jerk off tonight thinking about me? How many women do you think are going to get their jollies TONIGHT thinking about you?
DAVID
Maybe you’ve had few long term relationships because you prefer being the object of anonymous attention over the affection of real human beings.
WENDY
Yeah, well maybe you never get the affection of real human beings because you never take a chance with one.
DAVID
Oh, yeah?
WENDY
Yeah.
DAVID
OK, meet me at the Uppercrustacean Restaurant, tomorrow at 7 pm.
WENDY
Forget that, let’s go no. OK?
DAVID
You’re on.
WENDY
I’m driving.
INT. WENDY’S CAR - LATER
Wendy is driving.
David is in the passenger seat.
Wendy breaks at an intersection. Her car slows down but continues slowly crawling.
Wendy jumps out of her seat, runs to the front of the car, and stops it from rolling with her hands.
DAVID
WHAT?
Wendy runs back into the drivers seat.
WENDY
The car just needs a little persuading.
DAVID
You can afford all those donations, but you can’t afford breaks?
WENDY
I can afford breaks. I just choose not to live within the confines of breaks.
DAVID
Breaks are important!
WENDY
Breaks are for wusses.
DAVID
Breaks are for people who want to live.
WENDY
I live. I choose to live a life full of challenges and experiences.
DAVID
And I choose to live a life where I am still alive.
WENDY
We’re still around to experience the next thrill life sends our way.
The sound of cars honking is heard.
Wendy applies her foot to the gas pedal. The car does not move for five seconds. The car then moves.
WENDY (cont’d)
And we’re off.
DAVID
Well, I know you are.
EXT. UPPERCRUSTACEAN RESTAURANT - LATER
Wendy’s car slows down into a parking space in front of the Uppercrustacean Restaurant.
OLIVER WENDELL, an 18 year old car parking attendant, rushes in front of Wendy’s car and stops it from rolling onto the sidewalk.
SNOOPY DOGGY BROWN, an 18 year old parking attendant watches Oliver,
Wendy exits the car.
David exits the car.
WENDY
Oliver, I believe I told you the story of Frank Sinatra.
OLIVER
Yes, m’am, several times.
WENDY
M’am? You just lost your tip. I am as young as the next day is old.
Wendy waves at Snoopy.
SNOOPY
M’am, I mean, miss?
WENDY
You’re learning. Did I ever tell you about the time Frank Sinatra gave a five hundred dollar tip to a guy who parked his car?
SNOOPY
No, young lady, I never heard that story.
WENDY
Sinatra asked the guy what the best tip was he ever got. The guy replied “three hundred fifty dollars”. Sinatra gives him a five hundred dollar tip. Sinatra then asks him “so, who’s the cheap bastard who gave you a three fifty tip?” The guy replied “you, sir, three months ago.”
SNOOPY
That’s a funny one.
WENDY
Here’s a thousand dollar tip. Eat that, Sinatra.
INT. UPPERCRUSTACEAN RESTAURANT - LATER
Wendy and David enter the restaurant.
WOLFGANG BLADE, the maitre’d spots Wendy. Wolfgang speaks into a small microphone.
WOLFGANG
This is a code five, repeat a code five, this is not a drill.
Wolfgang runs up and greets Wendy with a firm handshake.
WENDY
Wolfie!
WOLFGANG
Mademoiselle. I am sorry, but this is a private party for some political guests. We are closed tonight.
WENDY
But I thought instead of giving my five thousand dollar donation to the Democrats, you could use the money more.
Wendy hands five thousand dollars to Wolfgang.
Wolfgang runs up to a table where BARACK and MICHELLE are seated.
WOLFGANG
You must go, now. We don’t serve your kind here.
Wolfgang collects Barack’s amd Michelle’s plates. Wolfgang signals for assistance.
CHE GARCIA and FERNANDEZ CASTRO, busboys, wipe the table clean.
Barack and Michelle are startled. They stand up and leave.
Wolfgang motions to Wendy.
WOLFGANG (cont’d)
Your table is ready, mademoiselle.
DAVID
Wait, was that President...
WENDY
Yadda, yadda, yadda, just someone who gets as much ink as Tom Cruise, but who is going to remember him a decade from now at the Oscars?
Wendy sits at the table.
David sits at the table.
DAVID
I hear the truffles stuffed with marzipan over a light cristol sauce is to die for here.
WENDY
Yeah, whatever. Hey, waiter, I want some macaroni and cheese, and I want it now,
INT. UPPERCRUSTACEAN KITCHER - LATER
JULIA ADULT, chef, stirs some macaroni and cheese in a bowl.
JULIA
Yes, three months of wasting time making macaroni and cheese finally pays off,
INT, UPPERCRUSTACEAN RESTAURANT - CONTINUOUS
WOLFGANG
Of course, I will get you some macaroni and cheese right away
DAVID
I would like the salmon...
Wolfgang rushes to the restaurant.
David realizes his order does not matter,
WENDY
Oh, poor boy, you couldn’t get your order in with the obviously superior woman?
DAVID
Doesn’t it bother you that all they care about is your money?
WENDY
So, what do people care about you?
DAVID
Look, I am no saint,,,
WENDY
So? We Jews aren’t as concerned about saints?
DAVID
Yet surely you care what other people think of you?
WENDY
Of course I care. I care what they think of me at night when they choose thinking of me over some porno movie.










Thursday, September 6, 2012

Where Are the Old Screenplays?

Several people have written in wondering where the old screenplays are that have been deleted from this blog.

The deleted screenplays are now available on amazon.com. This is not meant to promote them but only to explain where they went. One may go there and read them for free on the amazon.com library. One of the conditions of the screenplays being available there is they may not be available elsewhere. So they have been removed from this website.

If people wish to see these screenplays, please go to amazon.com and type in "Leon  Tchaikovsky" in "books" on the amazon search engine or type in the name of the specific screenplay you seek.

Sunday, July 1, 2012

LEON TCHAIKOVSKY'S MURDER AND SUBSEQUENT ASSASSINATI0N (Sneak peak)











Murder and Subsequent Assassination
by
Leon Tchaikovsky






When a pregnant virgin is murdered, events just get weirder. EXT. SKY ABOVE PLEASANT PASTURES BAY - NIGHTFALL
An eagle flies over Pleasant Pastures Bay towards Pleasant Pasture Dock. The leaves of trees are changing color for the Fall. The bay is pleasant and calm.
FBI Special Agent SIMON SIMON speaks.
SIMON (V.0.)
I feel my body as one with the eagle. We are two souls on a journey neither fully understands, yet together we know what must be done.
ext. pleasant pastures dock- continuous
The eagle lands next to a hose attached to a car exhaust. The eagle nudges the hose. The other end of the hose falls out of a window. The car is full of gas exhaust.

EXT. J EDGAR HOOVER BUILDING - CONTINUOUS
The J. Edgar Hoover Building is shown at nightfall. Someone has spray-painted the entrance sign reading “J. Edgar Hoover Justice Department Building” with an “In” before “Justice”.
INT. SPECIAL AGENTS OFFICES - J. EDGAR HOOVER BUILDING -
CONTINUOUS
Simon Simon, a handsome 23 year old, lies on the ground. His dress shirt is torn as Special Agent FABIAN LAGRANGE briskly applies chest compressions. A crowd of co-workers gather around. ALLISON WEATHERS, a secretary, cries.
       FABIAN
God, no.
Simon briskly sits up.
The crowd is silent and does not react.
SIMON
I know what I must do.
EXT. PLEASANT PASTURES COUNTY SHERIFF BUILDING
The building is three quarters painted with an obvious break in the painting.  One Sheriff’s patrol car sits with its hood open and steam coming out. Another Sheriff’s patrol car is on a jack with a missing tire.
INT. PLEASANT PASTURES COUNTY SHERIFF DEPARTMENT OFFICE -
EVENING
Simon walks around the empty office. He observes posters reading “NO LOUD TALKING / YOUR NEIGHBORS MAY BE SLEEPING / Courtesy Pleasant Pastures County Sheriff Department” and ‘KEEP OUR PAVED PARKING LOT CLEAN / USE TRASH CANS / Courtesy of the Pleasant Pastures County Sheriff Department”)
The flushing noise from a toilet occurs.  A banging water pipe noise follows.
Sheriff KEITH OVERJOHN, a 25 year in a Sheriff’s uniform, walks from the bathroom.
KEITH
Why, Simon Simon, you left the excitement of Federal work and here you are. I knew it would be weeks before Big Brother could expend anyone to interfere in our local
affairs. Never expect to see you here like this.
  SIMON
I haven’t seen you since graduation. You stole a Sheriff’s car that night, and now you are the Sheriff.
KETIH
Technically, it was my daddy’s car.
SIMON
You always hated your father.  Yet you followed in his footsteps and became Sheriff.
KEITH
I beat him in the election.
SIMON
You really did hate him.
KEITH
I taught him something about elections. Let’s say the car isn’t the only thing I stole from him.
SIMON
Anyway, to be fair, I wasn’t originally expecting to be here under these circumstances.
KEITH
It’s a shame, Aileen Farmer committing suicide. Don’t
know why the FBI is going to be getting involved.
SIMON
Alvin Farmer requested Federal assistance. He is an
advisor to Cabinet members.
KEITH
He is a major campaign contributor to Senators.
SIMON
Alvin Farmer believes it is murder.
KEITH
All the evidence points to suicide.
SIMON
I often find the solution to the most complex of cases is an easy solution.
KEITH
Right now the easiest solution is it was a suicide.
SIMON
I am convinced his daughter was murdered.
KEITH
So Alvin has the political pull to bring in the FBI. Alvin Farmer never did trust me.
SIMON
That is why I am here to protect you. As for Alvin,
you did steal his truck and resell the goods.
KEITH
That was some mighty fine valium his company makes.
SIMON
Makes me think there is something in the water here.
KEITH
I am sorry Aileen died. You two were sort of an item, as much as a virgin should be an item.
SIMON
She headed the Virgin Promises program at the Church. But, yes, she was the girl next door and we were friends since toddlers.  We slept in the same crib together as babies.
KEITH
Making you the only man she ever slept with. Which is why I am glad for your help. I can’t comprehend someone like that. I never wanted to have anything to do with any woman who can’t give me something in return.
Keith opens a drawer. He pulls out a bumper sticker. The bumper sticker reads “Re-Elect Keith Overjohn JUNIOR (not senile Senior) Sheriff”. Keith hands it towards Simon.
SIMON
Sorry, you know I can’t touch that.
ext. pleasant pastures cemetery - night
Simon walks around a newly dug grave with a newly constructed headstone reading “Aileen Farmer / A Loving Sister and Devoted Daughter” with many floral arrangements.
The ghost of AILENN FARMER,  a beautiful 25 year old, appears.
SIMON
Aileen!
AILEEN
I always knew we would see each other again.
SIMON
Although not these circumstances.
AILEEN
This is fine as long as it brings us together. Yet I am worried.
SIMON
Worried?
AILEEN
What is your purpose?
SIMON
Justice.
AILEEN
Ah, yes. You were destined to a G man from childhood. What good is justice? Nothing changes that I am already dead.
SIMON
I seek justice for the living.
AILEEN
What if the truth only brings harm to the living?
SIMON
The living will learn the truth.
AILEEN
The justice might only be for you.
SIMON
Is that not enough, after how much we cared for each other?
AILEEN
That is for you to answer. For us, there is a
different question.

EXT. SAMUEL CHEN’S HOUSE - DAY
The house is an upper middle class log cabin house with a porch. A is parked with one tire on the porch.  The front door is open.
A sleeping dog wags its tail but does not move as Simon and Keith walk past.
INT. SAMUEL CHEN’S LIVING ROOM - DAY
Simon and Keith, wearing his Sheriff’s uniform walk through an open door into the living room of SAMUEL CHEN, a late 20s man. Samuel is asleep surrounded by drug needles, bags of cocaine, and bongs. Simon picks up a bag of cocaine.
SIMON
You gonna bust Sammy?
KEITH
Nah, the county needs its Coroner.
Keith places the bag of cocaine into a pants pocket.
KEITH
Besides, I sold him most of this stuff.
Keith gently kicks Samuel with his foot.
Samuel is groggy and slowly is waking up.
SAMUEL
What?

KEITH
We need your official report on the Alison Farmer death.
SAMUEL
Yes, I received the autopsy results.
Samuel shuffles through a stack of papers. Some joints fall out from the papers.
SAMUEL
The party told me being Coroner would at most be work once after four years. This is only four months and already you are giving me paperwork. I should have supported your father. Then I could still be
sleeping.
Samuel picks up some papers.
SAMUEL
I have ruled the death of Aileen Fisher as homicide.
KEITH
Homicide?
SIMON
I told you it was homicide.
SAMUEL
Granted, the official cause of death is asphyxiation from gas fumes from a car exhaust into her
automobile.
KEITH
Sounds like suicide to me.
SIMON
There was no suicide note.
SAMUEL
Lab results indicate she was so full of valium that she was unconscious at least four hours prior to her death. Since the stamp on the entrance of her car into the parking area indicates her car arrived two hours prior to her death, I conclude someone drove her to the site of her death and then attached the hose that killed her.
SIMON
It looks like there is going to be lots of paperwork.
EXT. FARMER MANSION - DAY
The Farmer Mansion casts an eery grey feeling. The grounds of weeping willows intensive the eternal somber mood.
INT. FARMER MANSION - DAY
Simon and Keith gasp at the eloquence of the Farmer mansion.
KEITH
You should have married her. Who cares about
virginity when the final reward is so good?
ALVIN FARMER, wearing expensive business clothes, walks down a stairways. Alvin walks towards Keith and Simon.
ALVIN
The attentiveness of the criminal justice
machinations is regarded with swelter and profound admiration.
KEITH
Huh?
SIMON
Mr. Farmer is glad to see you.
KEITH
(whispers to Simon)
I take it back. That bitch wasn’t worth this.
ALVIN
My null hypothesis has consistently concluded with 95 percent certainty that Aileen was a victim of
homicidal activities.
KEITH
What made you sure?
ALVIN
Doth the wind not comprehend the air? Does not a
father not know his own daughter?

KEITH
Many daughters keep secrets from their parents.
ALVIN
But not their killers. That is a secret a daughter consolidates in dialogue with a father.
KEITH
Then who killed Aileen?
ALVIN
Well, I don’t actually know. She was murdered before she could notify me regaridng her mortal predicament.   Awkward how that precipitates.Yet I conclusively, within 95 percent certainty, cognizant she was murdered.
                KEITH
Do you have any evidence?
ALVIN
Is not the grief of a father who has lost his only daughter to the clutches of agents of Hades enough for you, the deliverer of criminal justice
retribution to whom I delivered substantial campaign contributions?
KEITH
Even so, the judicial system does require evidence, as well as the name of a suspect.
ALVIN
Ah, yes, a suspect. I guess retribution requires a villain for the administration of retribution.
KEITH
Who do you suspect murdered Aileen?
ALVIN
That is the purview of my betrothed.
(shouting to the upstairs living areas)
Beatrice, it would be illuminating if you would
present yourself to the investigator of criminal
justice.
(whispering to Keith)
It is my admonishment that my spouse has suffered emotional trauma to the death of our daughter. You need to partake of sufficient forewarning to her generally unique traumatic response.
BEATRICE FARMER, a buxom and attractive woman in her late 40s, walks down the stairwell.  She is nude. She is near collapse and is held by WADSWORTH FARMER, her 19 year old son.
Wadsworth helps Beatrice sit in a chair.
WADSWORTH
Hi, I’m her son, Wadsworth. My mother is
slightly under the weather. Please forgive
her appearance as clothing appears to agitate
her.
Keith whisper to Simon.
KEITH
I wish my wife had the condition.
BEATRICE
I beg your pardon for my ghastly appearance. I was not expecting company and have not yet been able to wash my hair, but with the grief over the murder of my daughter.
KEITH
Why are you certain Aileen was murdered?
Beatrice sobs uncontrollably.
BEATRICE
A mother knows these things.
KEITH
Do you suspect anyone?
BEATRICE
Henry Orville.
KEITH
Why Henry Orville?
Beatrice stops sobbing. She looks seriously towards Keith.
BEATRICE
A mother knows these things.

INT. HENRY ORVILLE’S APARTMENT - DAY
Keith and Simon enter an open door. The apartment has numerous posters and paintings depicting images of death and suffering.
KEITH
Henry Orville? Your door is open.
Keith and Simon view some depraved art work.
KEITH
This is the type guy Aileen was
into?
Keith looks at a picture of people carving and eating other
people.
KEITH
Maybe you dodged a bullet.
The sounds of a muffled voice are heard from the next room.
Keith and Simon run towards the sound.
INT. HENRY ORVILLE’S BEDROOM - CONTINUOUD
Keith and Simon find KEITH ORVILLE, a 25 year old male with dyed black hair, tied and gagged to a chair.
Keith removes the gap. Keith begins untying Henry.
KEITH
Mr. Orville, are you alright?
HENRY
I was until you came busting in.
Do I bust in on your bondage time?
Keith appears confused.
KEITH
Ahh..I don’t have bondage time.
HENRY
You should. You tie yourself in
paperwork when ropes are more fun.
KEITH
You weren’t robbed?
HENRY
No, I paid extra for this.
Keith finished untying Henry. He drops the ropes in confusion.
KEITH
I am here to ask you some questions
about Aileen Farmer.
HENRY
I’d like to confess to murdering Aileen Farmer.
Keith smiles at Simon.
KEITH
This was easy.
Keith looks towards Henry.
KEITH
Why did you kill Aileen Farmer?
HENRY
Oh, I only want to confess to her
murder. I didn’t kill her.
KEITH
I don’t understand.
HENRY
I would prefer if you would beat a
confession out of me, but I can prove
I didn’t kill Aileen.
KEITH
How can you do that?
HENRY]
The day she died, I was several
time zones away at a taping of the
Tonight Show. You can ever see me
shaking hands with Jay Leno.
KEITH
I’ll check your alibi.
HENRY
You’ll love the opening monologue.
KEITH
How long were you and Aileen dating?
HENRY
Thirteen months.
KEITH
Would it be fair to describe your
relationship as sexual?
HENRY
Sexual? As in intercourse? I should
say not.
KEITH
Then how would you say it?
HENRY
Just the usual, restaurants, walks
on the beach, then she would tie me
up and burn me with wax. I guess that
could be called sexual.
KEITH
But no intercourse?
HENRY
Of course not, silly. I had Aileen
pummel my penis so it doesn’t work.
KEITH
Of course, silly me.
HENRY
Aileen was a defender of virginity.
I received a Medal of Honor in that
battle.
KEITH
Who do you think killed her?
HENRY
I don’t know. Probably her new boyfriend.
KEITH
Who was that?
HENRY
She wouldn’t say. I wanted her to hurt me,
but not like that.
KEITH
What did she say about this new boyfriend?
HENRY
Nothing. All she said was she had to devote
all to him and she could never see me again.
KEITH
If you think of anything else, let us know.
HENRY
See, I had motive. I wanted her dead for
leaving me. Please, beat a confession out
of me, I deserve it.
KEITH
I’m leaving now.
HENRY
POLICE BRUTALITY! POLICE BRUTALITY!
THEY WON’T BEAT ME!
ITN. KEITH’S SHERIFF’S OFFICE - DAY
Keith sits in his chair throwing a stress ball into the air.
Simon paces around the room.
KEITH
The boyfriend was perfect. It’s always
a husband or boyfriend. He was crazy
enough to do it. He even confessed,
Keith is angry and throw the stress ball against the wall.
KEITH
What are odds the perfect suspect has an
alibi verified on national television?
Samuel enters. Samuel is smoking a marijuana cigarette.
SAMUEL
Hey, I have some news on the Aileen
Farmer autopsy. I got some DNA results.
KEITH
DNA?
SAMUEL
Oh, didn’t I tell you? Your
virgin queen was pregnant.
ALVIN
No, and something like that is
kind of important.
SAMUEL
Here is the odd thing. The DNA
can’t find the father.
ALVIN
What do you mean?
SAMUEL
The fetus. It matched Aileen as
both the mother and the father.
Samuel takes a long drag on his joint.
SAMUEL
Isn’t that crazy?
EXT. OUTSIDE SHERIFF’S OFFICE - TWILIGHT
Simon walks around deep in thought.
A shadowy figure appears from the woods next to the Sheriff’s office. As it gets closer, Simon sees it is Aileen’s ghost.
AILEEN
There is more concern about my
welfare after I died than when I
was alive.
SIMON
They found the fetus.
AILEEN
If things had been different,
it could have been yours.
SIMON
Life has a cruel tendency to
interfere with life.
AILEEN
As does death.
SIMON
They’re a bit slow, but they are
going to find your killer.
AILEEN
I hope they don’t.
Aileen turns towards the forest. She walks away from Simon,
Aileen stops. She turns around to face Simon.
AILEEN
I couldn’t control my life when I
was alive. I can’t expect to do
so in death.

INT. FARRANCONIA’S LIVING ROOM - DAY
FARRANCONIA WILSON, a 25 year old with pulled back hair and a long dress, kneels on the floor praying to a circle of candles. Her room is decorated with religious crosses and burning
candles.
Simon and Keith stand patiently behind her.
FARRANCONIA
Amalanacomniacramon...
Keith nudges Simon.
KEITH
She’s speaking in tongues.
Farranconia is disturbed by this sound interruption.
FARRANCONIA
Auugggh! Now where was I...
Iacromonextasias...
KEITH
Sorry, to interrupt, hope you
pick up from “extasias”. I need
to ask you questions.
FARRANCONIA
And I need to see to it that dark
forces do not rule the Earth.
KEITH
Well, it seems a dark force has
already murdered your best friend.
FARRANCONIA
Don’t you think I already know that?
KEITH
You are Farranconia Wilson, correct?
FARRANCONIA
Yes.
KEITH
How would you describe your
relationship with Aileen Farmer?
FARRANCONIA
We were lovers.
KEITH
Say again?
FARRANCONIA
Right before she died, she broke
up with that weasel boyfriend of
hers, and she became all mine!
KEITH
Were you aware Aileen was pregnant?
FARRANCONIA
Very much so. The child was mine.
Keith shrugs disbelief towards Simon.
KEITH
You saying you were the father?
FARRANCONIA
Of course not. That would be
ridiculous.
KEITH
Then who was the father?
FARRANCONIA
God was the father.
Keith stumbles for words.
KEITH
Of course. That wouldn’t be
ridiculous.
FARRANCONIA
Aileen was going to deliver a
virgin birth, and we were going
to raise the child together.
KEITH
So your relationship with Aileen
Farmer was not sexual?
FARRANCONIA
Oh, we had oral sex all the time.
KETIH
Do you know anyone who may have
wanted to harm Aileen?
FARRANCONIA
Certainly. I know who killed her.
KEITH
Who?
FARRANCONIA
The devil.
KEITH
Might you think of anyone else?
FARRANCONIA
I forgot to say my prayers that
day. The devil saw to it that our
child would never be born.
KEITH
Can you think of anyone on Earth
who may have had a grudge with Aileen
Farmer?
FARRANCONIA
Oh, the devil walks on this Earth.
EXT. THE FARMER MANSION - TWILIGHT
Much of the lawn has been unattended as weeds have shot up. A bright red rose grown in the midst of the weeds.
INT. THE FARMER MANSION - CONTINUOUS
Wadsworth guides Keith inside the main room. Simon follows them.
WADSWOTH
I am sorry that my mother is unable
to speak with you. She is getting better.
She almost put shoe on this morning.
KEITH
I had a few more questions. I was
wondering if the family knew who that
father of Aileen’s baby was.
Wadsworth turns white. He appears faint and collapses, grabbing onto the air of a chair to keep from falling. He sits in the chair.
WADSWORTH
Aileen was....pregnant?
KEITH
Why, yes. I am sorry. I
presumed the family knew.
Wadsworth holds back tears. Wadsworth takes a deep breath and creates a normal face.
WADSWORTH
Why, no, I didn’t know.
KEITH
Do you know if she had any
male companions, other than
Henry Orville?
WADSWORTH
I should think Henry was more than
enough for my sister.
KEITH
We are not convinced Henry was the
father. Do you have any idea who
could have father is?
WADSWORTH
How would I know?
BEATRICE (O.S.)
I know who the father is.
Beatrice enters the room. She is naked.
KEITH
Mrs. Farmer, you look...never mind.
BEATRICE
Why have you not arrested that ghastly
Henry Orville?
KEITH
He has an alibi for the murder.
BEATRICE
Murderers always do, don’t they?
KEITH
We are wondering who got Aileen
pregnant. We don’t hold Henry high
on that list, either.
BEATRICE
I don’t see what one has to do with
the other.
KEITH
It could give us a motive.
BEATRICE
Aileen was our town’s leading statue
of virginity. I don’t see how destroying
her reputation with that pregnancy
nonsense is of anyone’s concern.
KEITH
M’am, we want to find your daughter’s
murderer.
BEATRICE
That won’t bring her back. I am here
to defend her from character assassination.
KEITH
You said you know who the father is.
BEATRICE
I did.
KEITH
Then who is the father?
BEATICE.
God impregnated my daughter.
Beatrice holds her head high.
BEATRICE (continued)
It was the will and power of
God that planted a child inside
my virgin daughter.